Moving in outdoor spaces 2

Over the weekend I got to experience moving on the beach in a variety of different ways and forms. I hope to add some photos and video from this day to this blog soon. Above is just one of the many images captured.

Playing with elements was so exhilarating! The wind, ocean, and sand inspired me immensely. Also, some man-made elements too: cement walls covered with graffiti.

On the beach, surrounded by sand, water, concrete, mountains, people, and animals, I danced for my Nana. It's the 1 year anniversary of her passing, so I felt the need to acknowledge and honor that. As the wind pushed and penetrated me, I embodied my Nana's qualities as I remembered. I allowed my body to move with those memories and experiences of her as a person, woman, and spirit. I really love the concept of embodiment with movement, especially with butoh. What are some ways one unites the mind and body in the performance arts? I would love to read more about this. Those who are reading this, if you have any recommendations, do share!

After my dance "For Nana", my dance partner and I began to embody the dogs in the area. I'm not sure where to begin in describing this, so I'll just go for it. We began mirroring a dog nearby, that was hysterically digging into the sand and jumping around, probably to get his owners' attention (they were laying on a blanket). So we began digging in the sand like wild animals. The energy and work involved in this was so much, my dance partner said, "it's tiring to be a dog." Then we began playing "stick." Literally, throwing the stick out to a point and the other going after it; however, in our case, we were leaping for it. There was a lot of belly laughing in between leaps during this time, which went on for 15 minutes. When do you decide and say to your friend/companion, "Let's play stick." What a concept. In fact, what a great time! Everyone should do this.

Our final spot, was the concrete wall of graffiti, which had a steep hill of sand directly in front it, creating a dip formation. We played with this construction by jumping and hopping from sand to wall. The wall had a slight curve to it, so you felt like a skateboarder, only without the skateboard. Running, jumping, hopping, turning, pausing, and embodying. Embodying the energy from the concrete and graffiti. One could inquire what the purpose was for a particular piece of the graffiti; when it was created there; etc. I love how the sand intersected with it, bringing this natural element into the play.

Moving in the outdoors gives so much possibility and inspiration, I want more......

Moving in outdoor spaces

I had the wonderful opportunity to move in the outdoors this weekend. I don't mean just walk or run somewhere in the park or city. I got to experiment with some butoh exercises with another mover as well. We checked out areas in the embarcadero and financial district. What I found so cool about this area of San Francisco (which I hardly visit) is that's it's practically empty on the weekend. Like most financial districts in cities, every business closes for the weekend, including Starbucks.

The area (pictured above) we practiced was a wide, open concrete space in front of a huge high-rise building. There were various potted plants, flowers, huge wide steps for sitting at different levels, tables and chairs and glass windows. We each took turns blindfolded, moving within the space. First the blindfolded is guided by a partner throughout the space. This allows the other senses to kick in. It's amazing how we go throughout our days and lives relying on sight the majority of the time. In this exercise, our other senses--smell, sound, touch, taste--are awakened and enlivened.

When I was blindfolded, my sense of trust kicked in as well! Although, I knew my guide wouldn't allow anything or anyone to harm me, I had to trust myself. I reminded myself to soften, in my mind and body. When I would feel the wind blow, I felt it in a way I've never felt before, like a prisoner, who had not been outside for year and had not felt the wind that whole time. The feel of the concrete planters and the smell of the flowers and plants within them. The whole experience was so primitive.

Then my guide let me go to move within the space, but also making sure I don't run into anything and hurt myself. What was so unnerving about this experience was letting go of my guide as well as a concrete object I was holding onto. Emerging into the open space was liberating, fun, scary, and exciting. Then the blindfold was removed by my guide and I moved and danced a little longer. I felt more exposed and seen without the blindfold. Not the way one feels in front of an audience, but more exposed by the world and my surroundings. By the flowers, plants, the tree, the concrete, the concrete planters, the high-rise buildings, the wind, the sky, and the other elements that were present, and that I had connected with.

What a wonderful way to exercise your senses and challenge yourself. Why don't we do this more often? This exercise is very playful and awakening. Wouldn't it be nice if everyone did this exercise? Wouldn't it be nice to have a group of people witness this exercise?